October/November 1995, pgs. 68-69, 113
California Chronicle
Ten Years After Bombing, Life Goes On for Norma
Odeh
By Pat and Samir Twair
In one split second the morning of Nov. 11, 1985, her life was
violently altered, and Norma Odeh has never spent a day in the past
10 years in which she didn't ask herself "what if...?"
Her husband Alex had left for his office in Santa Ana where he
was West Coast regional director of the American-Arab Anti-Discrimination
Committee (ADC). Norma had gone grocery shopping. When she returned
home, there was a message on the answering machine. She heard it
telling her a bomb had gone off in Alex's office.
Norma recalls driving toward his office, but two blocks from the
building policemen were diverting traffic. "There was glass
everywhere in the streets," she recalled. "I knew Alex
could never have lived through such a powerful explosion."
She was correct. Her 41-year-old husband had received the full
force of a blast triggered when he opened his office door. He died
two hours later in surgery.
The fatal booby-trap bombing was described by California media
as the first act of Middle East terrorism in the United States.
However, FBI agents immediately related it to similar bomb attacks
on the East Coast. The name of a member of the Jewish Defense League
came up in their comments. Later, he and his wife would be sighted
among militant Jewish religious settlers at Kiryat Arba on the Israeli-occupied
West Bank. After some years of U.S.-Israeli negotiations, he was
jailed in the U.S. on charges that he committed another bombing
murder.
Initially, however, fear, confusion and despair numbed the 28-year-old
widow. She had three daughters Helena, 7, Samya, 5 and Sansan, 18
months. Alex had not even left a life insurance policy. That is
when the Arab-American community stepped in on a nationwide basis.
Former South Dakota Senator James Abourezk, the founder of ADC,
called to offer comfort. Local ADC activists tried to protect her
from the media. In those frantic days, she was asked to travel twice
to Washington, D.C. to testify before a House subcommittee. This
shy young Palestinian immigrant, whose English wasn't all that good,
suddenly had become a visible victim of anti-Arab hatred. She was
no public speaker, but as Abourezk once told her before a large
audience, "Norma, just pretend all those people looking at
you don't have any clothes on and you won't feel so intimidated."
The grief-stricken young woman managed to speak a few eloquent
words even in those first public appearances after her husband's
murder. In the intervening years, she has become accustomed to being
in the public eye. However, it was not the kind of life expected
by the 18-year-old Norma Ghattas who married Odeh when he returned
from America for a visit to their home town of Jifnah, Palestine.
When she arrived as a bride in California, he was working as a waiter
and studying for a master's degree at California State University
at Fullerton. Norma received her high school diploma in the U.S.,
but her chief interest was being a homemaker and mother.
After he went to work for ADC, her husband received death threats,
but he dismissed them. After his death, Norma says, the first six
months were the worst.
"Without the community, I never could have stood on my feet,"
Odeh recalls. "Their support gave me courage. I probably would
have been too hurt, too frightened, to step out the door. But all
those people were calling and writingwith so many eyes watching,
I couldn't let them down."
But, alone with her thoughts, she wondered who in this still foreign
land had killed her husband. Would they come next for her and the
children? She was afraid to open her door each morning.
To escape painful memories, she moved within months from the house
she and Alex shared to a neighboring community. The Arab-American
community nationwide had raised $130,000 for a trust fund for the
girls. In the meantime, her mother left Palestine to help her face
the challenges of becoming a single parent in California.
Norma Odeh soon realized that Alex had protected her in typical
Middle Eastern fashion. She hadn't even known how to write a check
when he was killed 10 years ago. Today, she is operations officer
for a bank.
When she finally mustered the courage to apply for a job, the rejections
were all the same: "You have no job experience, you have no
college training," interviewers told her. Finally, a woman
bank manager hired her for a teller's position and she's been promoted
steadily at the same branch ever since. Recently, Odeh asked the
manager why she had been hired when she lacked the qualifications
younger applicants had. "I wondered what I would do in your
shoes," the manager replied, "and I decided you had a
lot of courage and deserved a chance."
Odeh says the dedication in 1994 of a life-size memorial statue
of her husband in front of Santa Ana's main library has meant a
lot to her and her daughters. "It's probably the best thing
that happened in the past 10 years," she muses.
"But," she adds, "the Oklahoma City bombing brought
back all the trauma." What made it worse for the Odeh girls
was that after the bombing, they noticed students pointing fingers
at Middle Eastern students as if they were the culprits.
Ironic, isn't it?
California Archaeologist Seeks Backers For Excavation
of Syrian Sites
Do you know any tycoons whose corporations operate in the Middle
East? If so, please contact California archaeologist Daniela Buia,
who has founded the non-profit Society for Syrian Archeology. She's
looking for backers for her forthcoming excavations.
Most archaeologists love a mystery and spend much of their time
trying to answer persistent questions about past human behavior.
Take Max Mallowan, for instance. The famous British archaeologist
tried to find a plausible reason why inhabitants of Tell Brak, a
4th millennium B.C. site in northern Syria, created thousands of
eye images ranging from monumental double orbs to miniatures. Mallowan's
even more famous wife, mystery writer Agatha Christie, came up with
several possibilities: maybe the prehistoric "Brakis"
suffered from glaucoma and came to the site to worship an Eye Goddess.
Perhaps the objects at the site were amulets to ward off the Evil
Eye. Or were they eye idols? And why were there so many of them?
The vivacious Buia has her own theory on the mystery of the ubiquitous
eyes of Tell Brak, growing out of her own experiences. She was an
artist before she undertook archeological studies at UCLA and she
wrote an entertainment column for the City News Service of Los Angeles.
In 1975, then-California Governor Jerry Brown appointed her to network
state arts programs and reform the California Arts Council.
Buia received her Ph.D. degree in history from UCLA in 1993, with
a specialization in Ancient Near East History. Part of the effort
that went into earning her degree consisted of archeological field
work in Syria during nearly every year since 1983. Investigating
ceramics was her forte at the 3rd millennium B.C. site of Terqa
on the Euphrates River and at Tell Mozan, which lies between Hasake
and Amuda and has been identified as the ancient Hurrian site of
Urkish. But it was at Tell Ziyada, near Tell Brak, that Buia unearthed
new mysteries and arrived at some solutions of her own when she
was field director there for the 1988-89 season.
Buia explains that the stratigraphy at Tell Ziyada begins with
extremely ancient transitional Halaf-Ubeid deposits from around
4200 B.C., succeeded by Uruk remains circa 3500 B.C. In between
is an ash layer which lacks any signs of human habitation for about
700 years.
While she and her Italian husband, artisan Giuseppe Calcagni,
were at Ziyada, they climbed a nearby dormant volcano, Jebel Kaukab.
"I was astonished to look down on the caldera and discover
it had a double cone that for all the world resembled those huge
double eyes of Tell Brak," she recalled. Stretching her arms
outward, Buia offered her own version of what happened in the region's
prehistory.
"Sometime at the end of the 5th millennium, I believe the
volcano began spewing ash," she explained. "There was
time for the people to escape, to create legends and myths about
the double-coned volcano."
Buia says the Habur plain was abandoned for about one millennium,
during a time when archeological evidence shows continued occupation
far to the south in ancient Sumer.
One of the major finds at Ziyada was a 5th millennium transitional
Halaf-Ubeid kiln with the only known complete assemblage of pottery.
Previously the 570 intact vessels in it had been identified as belonging
to separate periods of time.
"We found objects together that shouldn't have been,"
she remarked. "Why?"
Another mystery began on the final day of excavation in 1989 when
Calcagni was clearing a baulk of ash and out popped a gold stud.
"This was during the period of abandonment," Buia exclaimed.
"Yet we have evidence that someone visited this site, made
a fire, probably cooked something and lost this gold stud. It is,
by the way, the oldest known fused [mold-made] work of gold.
"Who was there in that desolate spot? And why? It must have
been an important individual to have owned gold...especially at
that early date."
Last July, Buia received permission from the Syrian Department
of Antiquities to excavate a number of sites threatened with inundation
when the Habur Dam is completed south of Hasake and the Tishreen
Dam is finished northeast of Aleppo.
Buia hopes to make an exploratory trip to Syria next spring to
determine which of the estimated 100 tells destined to be flooded
contain the most significant cultural deposits.
In the study of her California home, she unfolds copious maps and
charts and gleefully identifies specks and dots that represent whole
cultures and centuries of time to her.
Surely there are some philanthropic tycoons out there who would
like to help uncover some lost chapters in our common past. If you
know of any, call Buia's office at (818) 998-0135.
This Aladdin Needs a Magic Lamp
"Have music degree, will travel" could have been the
motto of Aladdin Jafar, who was born in 1925 to an aristocratic
Iraqi family and now lives in retirement in the Los Angeles suburb
of Irvine. Jafar has composed eight piano sonatas, has conducted
symphony orchestras in Prague and Vienna, and holds a master's degree
in music from the prestigious Vienna Academy for Music and Acting.
But from 1971 until his retirement in 1993, he worked as a janitor
at California State University at Fullerton.
Professionally, his life in California has been disappointing,
but he still has hopes of connecting with other classically trained
musicians and organizing an ensemble. Jafar grew up in Baghdad in
the home of his uncle, Dr. Dia Jafar, minister of finance under
Prime Minister Nouri al Sa'id during the time of the Iraqi monarchy.
Jafar had been only three years old when his father died, and his
childhood dreams of studying music and acting were repeatedly dashed
by his disapproving uncle, who felt such pursuits were beneath his
nephew's station in life.
After completing high school in Beirut, Jafar studied philosophy
at the American University of Beirut for two years. Then, in 1948,
he headed for Utah to study agriculture, a field of which his uncle
approved. Soon, however, Jafar transferred to San Francisco, where
he earned a bachelor's degree in music. Then he returned to Iraq
to teach, but Iraq was changing and many of the family properties
were nationalized.
Jafar left home once more and enrolled in Vienna's Academy for
Music and Acting. He earned a master's degree and remained there
as a teacher, conducting concerts at least twice a month.
Meanwhile, many of Jafar's relatives had emigrated from Iraq and
settled in Fullerton. They convinced him that a man with his European
musical training would have no problem getting a teaching job in
California. The problem was that although Jafar was proficient in
Persian, German and French, his English was poor, and remains so
even after a quarter-century of life in California.
Upon arriving in California in 1970, he married a distant cousin,
Manal. A daughter, Hajar, was born. His savings were running out
and he had a family to feed. Every day he mailed applications to
music schools throughout the U.S. and Canada. Finally the patrician
artist took the only job he could find, as a custodian at California
State University at Fullerton.
Many Arab men of his generation and background might have refused
to pick up a broom and do menial work. But Jafar felt his first
responsibility was to provide for his family. And besides, he was
certain some music academy would soon appreciate his qualifications
and hire him.
For the next 22 years, Jafar cleaned the theaters and offices of
CSUF's music department. He worked from 4 a.m. to 12:30 p.m. daily.
During his breaks he played the grand piano in the campus Performing
Arts Center.
A sad story? Perhaps. But Jafar has continued to compose music.
He submitted a march to the Palestine Liberation Army two years
ago.
He practices daily on an upright piano in his tidy residence, and
has performed at wedding receptions. He is happy to perform at community
programs and concerts.
Jafar's fondest dream is that someday he'll receive an official
invitation from Iraq to create a national orchestra. In the meantime,
if you are a program chairman for any Arab organization, or if you
need a talented Arabic-speaking piano teacher, or if you would like
to assemble a music group, call Jafar at (714) 525-6663.
He'll be waiting.
Pat and Samir Twair are free-lance writers from Southern California. |