January/February 2001, Page 12
Special Report
One Palestinian’s Story: Grandfather’s
Olive Groves
By Samah Jabr with Betsy Mayfield
Among the most joyous moments of my childhood were days spent
picking olives. I’m a city person, born and raised in Jerusalem
but, like every Palestinian, I have a connection with the village
and the vineyard, with the farm and the fruit groves.
My grandfather, Abu-Faheem, was born in 1915 in Kifel-Hares, a
village suburb of Nablus. A Holy Land village is a cluster of stone
houses nestled among fruit and olive groves. The homes, usually
within sight of one another, are connected by a winding road and
rocky outgrowths that our children scramble among in their play.
There may be a local family-run convenience store, but mostly villages
are simple rural neighborhoods where everyone knows everyone else.
There is a coziness in the familiarity that makes our social and
family lives complete—that makes us Arab.
At the end of World War I, my grandfather needed work and, like
many young men of that era, moved to Jerusalem to seek his fortune.
He worked for a time with the British police and began to mix with
Europeans and Jews, people of various cultures. All the while, though,
he missed his family and friends in Kifel-Hares. So, not surprisingly,
he used the money he made to invest in land in his village.
Juha’s Olive Oil
It wasn’t long before grandfather could afford to re-establish
himself in Kifel-Hares. There, he planted olive trees, bought a
used olive press, and put his old blind donkey, Juha, to work. Juha
spent his days moving the press, going round and round enormous
piles of fresh green olives. My grandfather praised Juha and credited
him with the family’s reputation for yielding the best olive oil
in the region.
Really, though, it was my grandfather’s ingenuity that made the
family’s olive oil special. He had learned something in the big
city. He invested in huge storage jars and would leave the freshly
made oil in the jars until it separated into two layers. Then he
would skim off the top layer and sell this for cooking oil. The
bottom layer he used to manufacture soap. Like a primitive chemist
he’d work in a musty, old room where he’d spend hours inventing
and improving his soon-to-be famous soap. He was, in fact, an entrepreneur,
although no one would have called him that at the time. I remember
stepping into his old “research” lab after he died and it was closed
down. The room still smelled of olive oil. I felt as if I had stepped
back into the Middle Ages.
My grandfather passed away long before I was born, so I never knew
him. But I saw the pride in my grandmother’s face when she showed
us children her and our inheritance: the olive groves, the olive
press and grandfather’s laboratory.
“We’ll pick olives and it will be like it always
has been.”
My father and mother were not tied to the groves like my grandmother
and some of my aunts and uncles. My parents chose academic work
and city life. Today, it isn’t even our family who cares for our
groves, but close friends, whom we consider family, from the village.
Yet despite the fact that my family did not remain in Kifel-Hares
to take care of our property, my brother and sisters and I were
brought up attached to the village. It was the melody stringing
all the chords of our daily lives together.
For as long as I can remember, every year our whole family—uncles,
aunts, and cousins—would go to Kifel-Hares to pick olives together.
There our friends would laugh at us and say, “Look at the city folks.
You are too soft to pick olives. May God bless the soul of Abu-Faheem.
He was a real man!”
“What do you mean?” my brother would shout back. “Kifel-Hares is
a museum. We’ve heard the story of the laboratory and the patient
donkey, Juha, many times.”
Even though we joked about it, the story had great significance
Always one of the older children would trot the youngest child around
to see grandpa’s old equipment. We’d end the day with a delicious
meal of musakhan, chicken covered with the spice sumac and baked
in a huge outdoor stone oven. Everyone in the village would celebrate
the harvest with us.
In mid-October, despite our concerns about the violence surrounding
us, we planned somehow to take my little nephews, ages 4 and 5,
to Kifel-Hares to celebrate the season of picking olives.“We need
a day to forget this violence and all our troubles,” I told my parents.
“We’ll go to Kifel-Hares and we’ll pick olives and it will be like
it always has been.”
Attacks on Farmers
A few days before we were about to go, however, news reports announced
that several settlements had sent their people to attack Palestinian
farmers while they were picking their olives. My parents decided
to delay the trip.
Perhaps we should have gone, regardless. For only a few days after
we decided not to go to Kifel-Hares, the Israeli Authority, in conjunction
with residents of the Ariel settlement, confiscated our 20,000-square
meter-olive grove and bulldozed more than 400 olive trees, uprooting
them and destroying my grandfather’s legacy to us. Our family property
is at the edge of the settlement, and the Israelis claimed they
needed our land to provide more security for their settlers.
Israeli soldiers and settlers uprooted our “olive-pregnant” trees
not only for security, we fear, but to expand settlements in spite
of—or perhaps to take advantage of—the current tensions.
We did not cry when we heard the news of the death of our olive
grove, for we are full of laments for the people we know who have
died in this intifada. But our olive groves and our precious trees
are hard to forget. The trees were our symbols of family love, solidarity,
history and peace.
Although the trees are gone, our memories, like those of any family
anywhere, remain. They are no longer joyous, however. Now, when
I think of the trees, I think of our uprooted people and of emptiness.
I want to have hope that with the spring will come a new planting,
a resurrection of life as my family and I know it. I’ll have to
wait and see.
Samah Jabr is a medical student and journalist writing from
her home in Jerusalem. Betsy Mayfield is an American writer who
lives in Iowa. |