Washington Report on Middle East Affairs, December 2004,
pages 40-42
Southern California Chronicle
“War on Iraq Still Won’t Be Over on Nov. 3,” Says
Dead Soldier’s Mom at Rally
By Pat and Samir Twair
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(L-r) Cher, Lila Lipscom,
who was interviewed by Michael Moore in his film “Fahrenheit
9/11,” and filmmaker Patricia Foulkrod at the Tour
of Duty event in Hollywood (staff photos S. Twair). |
EMOTIONS WERE high Oct. 17 in the landmark Hollywood
United Methodist Church, where superstar Cher headlined a roster
of speakers. It was as if the more than 300 people assembled there
knew they were making history in launching the latest incarnation
of the anti-Iraq war movement.
“Tour of Duty: Americans Speak Out,” a project under
Peace Action, arranged Los Angeles-area programs Oct. 16 and 17
featuring Cher and Lila Lipscom, the military mom in Michael Moore’s
film “Farenheit 9/11.” In the ensuing week, Tour of
Duty would stage programs in seven East Coast cities headlining
Joan Baez, Lipscomb, Tim Robbins, Martin Sheen and Rickie Lee Jones.
“Isn’t this really like Vietnam déjà vu?” commented
Cher. “This is probably the only time I will speak from a
pulpit,” she quipped, before turning serious.
“This is the most heartbreaking time of my life,” she
explained, “and I’ve experienced 11 presidents. It’s
been a long time since I talked to wounded ’Nam troops but
I met a lot of soldiers at Walter Reed Hospital and saw the human
cost of war. I let them tell me their stories about how they lost
their arms and legs.”
The superstar described the administration’s cover up of
Iraq war dead and wounded as Orwellian. Their reasoning, she theorized,
is that the bigger the lie, the better the chance we can get away
with it.
“I wish people would speak their minds like they did in
the Vietnam days,” she continued. “I’ve been
quiet until now because I saw what happened to the Dixie Chicks—they
got cut off at the legs [for criticizing George Bush]. They [the
administration] wrap themselves in the flag and if you dare to
disagree with them in public, you’re called a traitor.”
Noting that she had just returned from Europe, Cher said, “Everyone
over there hates us. They don’t understand why we don’t
do something. They are more afraid of the U.S. than they are of
terrorism.”
Cher then introduced Lipscom, the Flint, MI mother of Sgt. Michael
Pederson, who died in Iraq when his Blackhawk helicopter was downed
in April 2003.
“People have called me courageous, but you need to keep
going, and now there are 1,074 mothers who are going through what
I have,” stated Lipscom, who has become much more articulate
than when she spoke to Moore.
She recalled her son’s last letter, in which he apologized
for having to send his will and stated that his last wish was for
a regime change in the U.S. that had led us into an unnecessary
war.
“The powers that be have spent time disconnecting us,” Lipscom
said. “Now it’s time to wake up—we who were so
arrogant and allowed our government to go into someone else’s
country.
“I will not shut up,” the grieving mother vowed. “And
on Nov. 3 when we wake up, the war still will be on in Iraq.”
It was this pledge to stop a war that neither Bush nor Kerry
see an end to that permeated the program. Tour of Duty executive
director Jeff Norman said that dissent should move to the level
of resistance, whether it’s a platoon in Iraq refusing to
drive poorly protected supply trucks or National Guardsmen protesting
that they do not receive health insurance.
Patricia Foulkrod introduced her 30-minute documentary, “The
Ground Truth: The Human Cost of War,” which interviews maimed
and wounded soldiers.
Nearly each hospitalized soldier in the film complains of the
disconnect, of the military’s refusal to ease them back into
civilian life. Some National Guardsmen have lost their limbs and
can no longer return to their former jobs, others are homeless,
and 22 have committed suicide since returning to the U.S.
What’s more, the documentary points out, 27 have committed
suicide in Iraq, 1,100 are dead, 7,500 are maimed, disfigured by
burns or psychologically impaired, and the death rate hovers at
20 fatalities daily.
“The government tries to keep death out of the news,” Foulkrod
stated. “There are no body counts, nor mention of the 30
to 40 military personnel wounded daily. We should be on the tarmac
every day at Dover Air Force Base to greet the wounded.”
Singer Michelle Shocked sang a ballad she wrote about a 21-year-old
war widow with two infant daughters and, thank God, no son to give
to the military. Comedian Ahmed Ahmed delivered a hilarious routine
on what it is like to be a male Arab-American Muslim in the post-9/11
world.
Information on the documentary is available at <www.thegroundtruth.org> and
on Tour of Duty at <www.ustourofduty.org>. The Los Angeles
programs were co-sponsored by CODEPINK and the Levantine Cultural
Center.
CAIR Celebrates First Decade
More than 2,100 people turned out Oct. 9 in California’s
largest banquet facility at the Anaheim Convention Center to mark
the 10th anniversary of the Council on American-Islamic Relations/Southern
California.
Prof. David Cole of Georgetown University Law Center was keynote
speaker for the event, the theme of which was “Restoring
the American Dream.” Cole stressed the importance of challenging
post-9/11 policies which unfairly target American Muslims with
the PATRIOT Act, which permits ethnic profiling, preventive detention,
and mistreatment of foreign nationals.
State Attorney General Bill Lockyer, who co-wrote anti-hate crime
legislation AJR 64, averred that any hate crimes against members
of any faith community will not be tolerated. “As California’s
top cop, I will not allow it,” he vowed. Other VIPs on hand
included Los Angeles County Sheriff Lee Baca, Orange County Sheriff
Michael Corona, State Rep. Gary Miller (R-42), Anaheim Mayor Curt
Pringle, Judge James Gray and State Assemblywoman Judy Chu.
All Phone Sponsors Hate Messages
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| Women In Black members Yael
Korin (l) and Elana Golden protest at the Israeli Consulate
in Los Angeles days after returning from Palestine (staff photo
S. Twair). |
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When the Progressive Alliance of Santa Monica College
learned that All Phone Wholesale, located at 2919 Pico Blvd., a
few blocks away from the campus, had racist signs plastered on
its storefront, students decided to give All Phone notice that
their neighborhood is a racist-free zone.
All Phone is an outlet for Samsung products; its proprietor is
Bunnie Meyer, who has filled her storefront with signs calling
Palestinians and Muslims “rag head Arab pigs,” “a
violent cult of freaks started by a pedophile, misogynist pig” and “scumbag
cockroaches descended from the bowel movements of pigs.”
On Sept. 28 students, members of Women In Black, Santa Monica
Councilman and Mayor Pro Tem Kevin McKeown, and the president of
SMC Associated Students met on campus and proceeded toward All
Phone. Chanting “All Phone is All Hate” to the beat
of a drum, individuals carried signs reading: “It Ain’t
Funny Bunnie” and “Zero Tolerance to Racism.”
When they reached Allphone, the students continued their chants
while a woman inside (Bunnie?) locked the door and screamed at
them. Students have launched a letter-writing campaign to Jeong
Han Kim, president of Samsung Telecommunications, 1301 E. Lookout
Dr., Richardson, TX 75982. They are asking Samsung to take action
against an outlet that spreads racist messages. So far, a satisfactory
response has not been received.
As late as Oct. 8, the shades were pulled on All Phone’s
storefront, but Meyer still was answering the phone at (310) 399-7500
by using her name as the speaker.
Meyer told City Beat reporter Jennifer Hahn that she is
just beginning her war against Palestinians and Islam. Her next
goal is to strip the 501(c)(3) status from mosques in the U.S.
SMC students say they will launch a boycott of Samsung products
if the hate signs don’t come down. Councilman McKeown notified
the Anti-Defamation League of All Phone’s hate signs. ADL
associate director Tessa Hicks wrote to Meyer, asking her to take
the community’s complaints seriously.
As of Oct. 18, the window shades on All Phone’s storefront
were up, and the hate signs as prominently displayed as ever.
Gaza Protest at Israeli Consulate
As the death toll mounted to 75 on Israel’s latest
assault on Gaza, 10 local organizations called for an emergency
protest Oct. 17 in front of the Israeli Consulate.
Some 50 demonstrators carried signs stating: “Stop Use
of U.S.-Supplied WMDs on Civilians,” “Allow Food, Water
and Medicine into Jabaliya Camp” and “Stop Terror Against
Palestinians in Gaza.”
Among the speakers were Dr. Yael Korin and Elana Golden, who
had returned days earlier from Palestine, where they had frequently
joined Machsom Watch, an Israeli women’s organization that
monitors Israeli treatment of Palestinians at checkpoints.
Dr. Korin, the daughter of Holocaust survivors, said she doesn’t
want anyone to do to another people what was done to her parents.
Speaking into the microphone in a louder voice, she shouted, “My
audience is that counterdemonstration across the street. I am speaking
to you and I demand that you wake up.”
Kan Zaman Marks 10th Year
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Musa Nasser on bagpipe
(staff photo S. Twair). |
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For the past decade the Southern California ensemble
Kan Zaman has performed classical and folkloric Arabic music under
the baton of Wael Kakish. At its summer concert and 10th anniversary
performance, a special soloist was Musa Nasser, who played a medley
of Jordanian folk songs on the bagpipe.
The audience stood and cheered as Nasser, wearing a white galabiyeh and
red and white keffiyeh, moved back and forth across the
stage while the pipes shrilled familiar tunes in an eerie fashion.
Although most people aren’t aware of it, bagpipes originated
in Mesopotamia, and were played in the Balkans long before Celts
in the British Isles adopted the wind instrument.
Nasser, who is Kan Zaman’s oud player, said he runs
five miles daily to keep his lungs in condition to play the bagpipe,
and must practice every day to master the unusual instrument.
There are only two other Arab bagpipers in the region, and Nasser
said he took up the instrument because he wanted to surprise his
son and play the bagpipes at his wedding. Nasser studied intently
for six months, learning to transform natural notes into quarter-tone
notes for the Arab scale.
After he underwent an emergency appendectomy, the surgeon told
him there was no way he could play the bagpipes for the impending
wedding. The stubborn musician, however, did surprise his physician
son, Musa Jr., and has been performing ever since.
Another star performer at the summer concert in Barnsdall Park
was Michael Kamel, who sang Abdel Halim Hafiz’ signature
song, “Kamel al-Awsaaf.” He again charmed the audience
at Pasadena’s Lake Avenue Church with “Yalli T’ibna
Sneen.” More information about the ensemble can be obtained
at <kzaman@kanzaman.org>.
AFSC Hosts Palestine Program
”Introducing Palestine” was the title of
a Sept. 18 mini-concert, art exhibition and slide presentation
at the American Friends Service Committee in Pasadena.
After three members of the Kan Zaman Arab folkloric ensemble
opened the program, Lisa Volta and Soo Mi Kil were introduced as
curators of the “Introducing Palestine” exhibition.
Volta, who spent August and September of 2003 in Palestine, said
she accessed the Internet to locate 20 artists throughout the world
who have created works about the struggle and culture of the Palestinians.
“I believe the struggles endured by the Palestinian people
are a very raw example of the human struggle against oppression,
where money, military and power occupy and destroy land, homes
and ordinary people,” stated the Philadelphia-based artist.
“Our intention in this exhibit,” she explained, “was
to bring artists from different walks of life, from different countries,
with different levels of understanding concerning the situation
in Palestine, together to share their stories with each other and
with the public.”
Two large rooms at the AFSC establishment displayed more than
40 photos, prints, collages, mixed media works and a conceptual
sculpture.
A favorite piece was Volta’s artistic interpretation of
a nine-stanza poem, entitled “Fifty Years On,” by Lisa
Suhair Majaj. The Palestinian poet was born in Iowa, grew up in
Jordan, attended university in Lebanon and resides in Cyprus.
Volta used enamel, marker, ink and acrylic to write the poem
on window shades of various widths and lengths.
Another Volta creation was a striking collection of photos of
women’s backs covered with hennaed designs. Her models were
women from Philadelphia who sat for up to five hours as she applied
images to their backs. After each sitting, the women’s backs
were covered with gauze overnight, then a second application was
made. The designs on each back were from Volta’s memories
of Palestine: a long-haired woman; a demolished house; a horse;
and Hebron.
The evening ended with a slide presentation of Shady Hakim’s
July 26 to Aug. 7 trip to Palestine with the Fellowship of Reconciliation
Interfaith Peace Builders.
Images of the apartheid wall and the devastating effect it is
casting on Palestinian society dominated his talk. He showed slides
of Hebron and how settlers have all but made the Palestinian market
in the Old City a deserted area because of physical attacks and
trash thrown into the shopping area. Hakim’s slides of Sam
Bahour’s modern shopping center, which is thriving and prosperous
in al-Bireh, added a note of optimism to the otherwise devastating
presentation.
Pat and Samir Twair are free-lance journalists based in Los
Angeles. |